Nouveau Riche (band)

March 10th, 2010

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Nouveau Riche

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Nouveau riche refers to a social class.

Nouveau riche may also refer to:

  • Nouveau Riche (Philadelphia band)
  • Nouveau Riche (Swedish band)
  • Nouveau Riche (real estate investment college)

Retrieved from “http://en.wikipedia.org/wiki/Nouveau_Riche”
Categories: Disambiguation pagesHidden categories: All article disambiguation pages | All disambiguation pages

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Miervaldis Polis

March 10th, 2010

















Miervaldis Polis

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Miervaldis Polis (born July 23, 1948) is a Latvian painter and performance artist. In the early 1970s, he and L?ga Purmale, his wife at the time, started a new trend of photorealism in Latvian painting. In the early 1980s, he turned to performance art, one of his most notable performances being The Bronze Man, wherein he roamed the streets of Riga, Latvia, in a bronze suit, covered from head to toe in bronze paint. In the 1990s, after Latvia regained independence, Polis became known as the Latvian “court painter,” receiving commissions to paint the portraits of the Latvian elite, including former presidents Guntis Ulmanis and Vaira V??e-Freiberga.

Retrieved from “http://en.wikipedia.org/wiki/Miervaldis_Polis”
Categories: 1948 births | Living people | Latvian painters | Performance artists | Latvian painter stubsHidden categories: Unreferenced BLPs from March 2008 | All unreferenced BLPs

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Tom Williams (presenter)

March 10th, 2010

















Tom Williams (presenter)

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Tom Williams (born October 16, 1970, Sydney, New South Wales) is an Australian television presenter and personality. After graduating from high school at the Jesuit St Aloysius’ College, Williams worked as a builder, and competed in surf lifesaving championships. One of Tom’s first appearances on television was in the video clip of Melissa Tkautz’s debut song Read My Lips.

The turning point in William’s life occurred in 2000, when he phoned into a radio show hosted by comic duo Merrick & Rosso. His style interested them so much that he was given a regular segment on the show. This was followed by an offer on long-running travel show The Great Outdoors in mid-2001. In 2005, he was one of several Seven Network celebrities who starred in Dancing with the Stars. During his time at Great Outdoors and over the course of the series Williams emerged as sex symbol. In the show’s finale, Williams danced shirtless with partner Kym Johnson and he was voted the winner.

In 2002, Williams was the builder in the show Room for Improvement which was shown on the Seven Network, and in 2003 he was announced Australia’s Celebrity Worst Driver which was shown on the Seven Network.

In 2005, he hosted the fifth season of The Mole - The Amazing Game however some fans have called for the return of former host, Grant Bowler. With the new series, Williams brought the concept of live eliminations, from Seven’s Sydney studios in the city.

In April 2009, Williams relieved as sport presenter on Nova 969 during Merrick & Rosso with Kate Ritchie, whilst Marto was having surgery.

In 2010, Williams co-hosted Australia’s Greatest Athlete with Mark Baretta.

Preceded by
Bec Hewitt & Michael Miziner
Dancing with the Stars (Australia) winner
Season 2 (Early 2005 with Kym Johnson)
Succeeded by
Ada Nicodemou & Aric Yegudkin
Preceded by
Mike Hammond
Host of Gladiators (with Zoe Naylor)
2008-present
Succeeded by
incumbent
Preceded by
Andrew Voss
Michael Slater
Host of Australia’s Greatest Athlete (with Mark Baretta)
2010-present
Succeeded by
incumbent

References

  • Meet Tom Williams
  • Hottest on TV

Retrieved from “http://en.wikipedia.org/wiki/Tom_Williams_(presenter)”
Categories: 1970 births | Living people | Australian television actors | Australian television presenters | People from Sydney | Reality show winners

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Bonsal, North Carolina

March 9th, 2010

















Bonsal, North Carolina

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Bonsal is an unincorporated community in the New Hill, North Carolina postal district, part of the Extra Territorial Jurisdiction (ETJ) of Apex, North Carolina, in extreme southwestern Wake County, North Carolina. Bonsal was a railroad junction between the Durham & South Carolina Railroad (D&SC) (originally chartered as the New Hope Valley Railroad) and the Seaboard Air Line Railroad (originally the Raleigh & Augusta Air Line Railroad). The New Hope Valley Railroad route was abandoned in the late 1970s.

The original name of the community was Godsey after the Godsey Farm in the area, but this was changed to Bonsal in 1905 after William Rosco Bonsal, builder and first President of the Durham & South Carolina Railroad (see below). The community was briefly incorporated from 1907 to 1917 to allow the citizens to vote in favor of bills supporting temperance and prohibition. The town charter was revoked in 1917 when the citizens, having accomplished their purpose for being incorporated at all, refused to pay town taxes.

Bonsal is now the site of the North Carolina Railway Museum (NCRM) and the operating New Hope Valley Railway (NHVRy) tourist line. The line owns approximately 6 miles of track between Bonsal and New Hill, North Carolina, operating for passengers on the first Sunday of each month from May to November and both Saturday and Sunday the first two weekends in December. Other special event trains are operated at other times throughout the year.

The railway north of New Hill, North Carolina has been converted into the American Tobacco Trail.

External links

New Hope Valley Railroad & NC Railroad Museum

Norfolk & Southern Railway Company Historical Society

The American Tobacco Trail

Seaboard Air Line Railroad

Coordinates: 35°39?38?N 78°58?25?W? / ?35.66056°N 78.97361°W? / 35.66056; -78.97361

Retrieved from “http://en.wikipedia.org/wiki/Bonsal,_North_Carolina”
Categories: Wake County, North Carolina | Unincorporated communities in North Carolina

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Ma?a

March 9th, 2010

















Ma?a

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Nové Zámky District in the Nitra region

Ma?a (Hungarian: Mánya) is a village and municipality in the Nové Zámky District in the Nitra Region of south-west Slovakia.

Contents

  • 1 History
  • 2 Geography
  • 3 Ethnicity
  • 4 Facilities
  • 5 External links

History

In historical records the village was first mentioned in 1237.

Geography

The village lies at an altitude of 133 metres and covers an area of 21.594 km². It has a population of about 2075 people.

Ethnicity

The population is about 98% Slovak.

Facilities

The village has a public library and a gym.

External links

  • http://www.statistics.sk/mosmis/eng/run.html

Coordinates: 48°09?N 18°17?E? / ?48.15°N 18.283°E? / 48.15; 18.283

Retrieved from “http://en.wikipedia.org/wiki/Ma%C5%88a”
Categories: Villages and municipalities in Nové Zámky District | Nitra Region geography stubsHidden categories: Articles containing Hungarian language text

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Gmina Kozy

March 8th, 2010

















Gmina Kozy

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Gmina Kozy
Kozy Commune
—  Gmina  —

Coat of arms
Coordinates (Kozy): 49°50?42?N 19°8?30?E? / ?49.845°N 19.14167°E? / 49.845; 19.14167
Country  Poland
Voivodeship Silesian
County Bielsko County
Seat Kozy
Area
 - Total 26.9 km2 (10.4 sq mi)
Population (2006)
 - Total 11,556
 - Density 429.6/km2 (1,112.6/sq mi)
Website http://www.kozy.pl

Gmina Kozy is a rural gmina (administrative district) in Bielsko County, Silesian Voivodeship, in southern Poland. Its seat is the village of Kozy, which lies approximately 6 kilometres (4 mi) east of Bielsko-Bia?a and 47 km (29 mi) south of the regional capital Katowice.

The gmina covers an area of 26.9 square kilometres (10.4 sq mi), and as of 2006 its total population is 11,556.

Neighbouring gminas

Gmina Kozy is bordered by the city of Bielsko-Bia?a and by the gminas of Czernichów, K?ty, Por?bka, Wilamowice and Wilkowice.

References

  • Polish official population figures 2006

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Saliya Upul Aladeniya

March 8th, 2010

















Saliya Upul Aladeniya

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Captain Saliya Upul Aladeniya
1964 - June 11, 1990
Place of death Kokavil, Sri Lanka
Allegiance Sri Lanka Army
Years of service 1989-1990
Rank Captain
Unit Sri Lanka Sinha Regiment
Commands held Officer-in-command, Kokavil Army Camp
Battles/wars Sri Lankan civil war
Awards Parama Weera Vibhushanaya
Weera Wickrama Vibhushanaya

Sri Lanka Captain Saliya Upul Aladeniya PWV, WWV, SLRS (In Sinhalese: ??????? ????? ????? ???????) (1964 - June 11, 1990) was the first recipient of the Parama Weera Vibhushanaya, highest war time award for valour of the Sri Lanka Military. He was a Sri Lankan army officer who refused to abandon the injured of his platoon and, fought until the Kokavil army camp was overrun by LTTE.

Educated at Trinity College Kandy, he joined the Sri Lanka Army in 1989. After basic training he was commissioned as Second Lieutenant in to the Sri Lanka Sinha Regiment.

Lieutenant (at that time) Aladeniya was in command of an army outpost with a handful of men at Kokuvla (Kokavil) that was established for guarding the television relay station. The camp was surrounded for several days by LTTE cadres who outnumbered them five to one. The food and water were running out in the camp and so was the ammunition. In spite of many requests, reinforcements sent from Lt. Aladeniya’s regimental headquarters in Nuwara Eliya never reached Kokavil, having been diverted elsewhere. Orders to withdraw from the camp came at the eleventh hour but then it was too late and Aladeniya had wounded men whom he did not want to leave behind. Pledging that he would rather die alongside them than leave them, Lt. Aladeniya fought on till an adjacent fuel dump exploded, killing the majority of the defenders in the camp.

Lt. Aladeniya lost his life and was posthumously promoted to rank of Captain and honoured with a Parama Weera Vibhushanaya medal on June 21, 1994.

See also

  • Awards and decorations of the military of Sri Lanka

External links

  • Sri Lanka Army
  • Ministry of Defence : Sri Lanka
  • Media Center for National Security : Sri Lanka
  • SPUR

References

  • LankaLibrary Forum; Eelam War II - “Operation Balavegaya”
  • The Sunday Times article: “Don’t worry sir, I will fight till I die”
  • SPUR
  • Trinity College (Kandy)
  • Wikipedia article on Trinity College, Kandy
  • Army, Sri Lanka. (1st Edition - October 1999). “50 YEARS ON” - 1949-1999, Sri Lanka Army. ISBN 995-8089-02-8

Retrieved from “http://en.wikipedia.org/wiki/Saliya_Upul_Aladeniya”
Categories: 1964 births | 1990 deaths | Sri Lankan Army officers | Recipients of the Parama Weera Vibhushanaya | Military personnel killed in action | Sinhalese people

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Kirsten

March 8th, 2010

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Kirsten

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Kirsten is a name, that may be spelled Kirsten, Kiersten, Kearston, and Kearsten, and may refer to:

People with the surname Kirsten:

  • Benjamin Kirsten (born 1987), German footballer
  • Dorothy Kirsten (1910–1992), American opera singer
  • Gary Kirsten (born 1967), South African cricketer
  • Peter Kirsten (born 1955), South African cricketer
  • Ulf Kirsten (born 1965), German footballer

Other uses:

  • Cameron Kirsten, a fictional character from the CBS soap opera, The Young and the Restless
  • Hurricane Kirsten, two tropical cyclones in the Eastern Pacific Ocean

See also

  • Kirsten (given name)

Retrieved from “http://en.wikipedia.org/wiki/Kirsten”
Categories: SurnamesHidden categories: All set index articles

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Belvedere Apollo

March 7th, 2010

















Apollo Belvedere

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Apollo Belvedere
Belvedere Apollo Pio-Clementino Inv1015.jpg
Artist Leochares
Year Later copy of bronze original from 350-325 BC.
Type White marble
Height 224 cm
Location Vatican Museums, Vatican City

The Apollo Belvedere or Apollo of the Belvedere — also called the Pythian Apollo — is a celebrated marble sculpture from Classical Antiquity. It was rediscovered in the late 15th century, during the Renaissance. From the mid-18th century, it was considered the greatest ancient sculpture by ardent neoclassicists and for centuries epitomized ideals of aesthetic perfection for Europeans and westernized parts of the world.

Contents

  • 1 Description
  • 2 History
    • 2.1 Antiquity
    • 2.2 Renaissance
    • 2.3 18th and 19th centuries
  • 3 Reputation
  • 4 Works inspired or influenced by the Apollo Belvedere
  • 5 References
    • 5.1 Citations
    • 5.2 Other sources
  • 6 External links

Description

The white marble sculpture, which is 2.24 m (7.3 feet) high, depicts the Greek god Apollo, who has just overtaken the serpent Python, the cthonic serpent of Delphi. The arrow has just left his bow and the effort impressed on his musculature still lingers. His hair, lightly curled, flows in ringlets down his neck and rises gracefully to the summit of his head, which is encircled with the strophium, a band symbolic of gods and kings. His quiver is suspended across his left shoulder. He is entirely nude except that his robe (chlamys) is clasped at his right shoulder and is turned up only on his left arm and thrown back.

The lower part of the right arm and the left hand were missing when discovered and were restored by Giovanni Angelo Montorsoli (1506-63), a sculptor and pupil of Michelangelo.

The moment when Apollo has shot his death-dealing arrow may have been at the slaying of Python, the primordial serpent guarding Delphi, making the sculpture a “Pythian Apollo”, or at the slaying of Tityos, who threatened Leto.

History

Antiquity

The Apollo is either a Hellenistic or a Roman copy of a lost bronze original made between 350 and 325 BC by the Greek sculptor Leochares.

Renaissance

Before its installation in the Cortile del Belvedere, the Apollo, which seems to have been discovered in 1489, apparently received very little notice from artists and though it has always been known to have belonged to Giuliano Della Rovere before he became pope, as Julius II, its placement has been confused until as recently as 1986: Cardinal Della Rovere, who held the titulus of San Pietro in Vincoli, stayed away from Rome for the decade during Alexander VI’s papacy, 1494-1503; in the interim, the Apollo stood in his garden at SS. Apostoli, Deborah Brown has shown, and not at his titular church, as had been assumed.

Once it was installed in the Cortile, however, it immediately became renowned and a demand for copies of it arose. The Mantuan sculptor Pier Jacopo Alari Bonacolsi, called “L’Antico”, made a careful wax model of it, which he cast in bronze, finely finished and partly gilded, to figure in the Gonzaga collection, and in further copies in a handful of others. Albrecht Dürer reversed the Apollo’s pose for his Adam in a 1504 engraving of Adam and Eve, suggesting that he saw it in Rome. When L’Antico and Dürer saw it, the Apollo was probably still in the personal collection of Giuliano della Rovere, who, once he was pope as Julius II, transferred the prize in 1511 to the small sculpture court of the Belvedere, the palazzetto or summerhouse that was linked to the Vatican Palace by Bramante’s large Cortile del Belvedere. It became the Apollo of the Cortile del Belvedere and the name has remained with it, though the sculpture has long been indoors, in the Museo Pio-Clementino at the Vatican Museums, Rome.

In the 1530s it was engraved by Marcantonio Raimondi, whose printed image transmitted the famous pose throughout Europe.

18th and 19th centuries

The Apollo was one of the artworks brought back to Paris by Napoleon after his 1796 Italian Campaign. It formed part of the collection of the Louvre during the First Empire. After the fall of Napoleon, the Apollo was repatriated to the Vatican.

The neoclassical sculptor Antonio Canova adopted the fluency of the Apollo Belvedere for his marble Perseus (Vatican Museums) in 1801.


Head of Apollo, modeled on the Apollo Belvedere. (Marble, Roman copy of ca. 120-140 AD after a Hellenistic original.)

Reputation

According to noted art historian Lord Kenneth Clark:

“…For four hundred years after it was discovered the Apollo was the most admired piece of sculpture in the world. It was Napoleon’s greatest boast to have looted it from the Vatican. Now it is completely forgotten except by the guides of coach parties, who have become the only surviving transmitters of traditional culture.”

Works inspired or influenced by the Apollo Belvedere

  • Dürer, Albrecht, Adam and Eve (1504 engraving)
  • Copies of the Apollo Belvedere appear as cultural props in Joshua Reynolds’s Commodore Augustus Keppel (1752-3, oil on canvas) and Jane Fleming, later Countess of Harrington (1778-79, oil on canvas).
  • Canova, Antonio, Perseus (1801, Vatican Museums, 180x, Metropolitan Museum of Art))
  • In Childe Harold’s Pilgrimage (1812-18), Byron describes how the statue requites humanity’s debt to Prometheus: “And if it be Prometheus stole from Heaven / The fire which we endure, it was repaid / By him to whom the energy was given / Which this poetic marble hath array’d / With an eternal glory–which, if made / By human hands, is not of human thought; / And Time himself hath hallowed it, nor laid / One ringlet in the dust–nor hath it caught / A tinge of years, but breathes the flame with which ’twas wrought.” (IV, CLXIII, 161-163; 1459-67).
  • Crawford, Thomas, Orpheus and Cerberus (1838-43; Boston Athenaeum, later Museum of Fine Arts, Boston)
  • Apollo tended by the Nymphs of Thetis
  • Minute Man by Daniel Chester French, 1874 at the Old North Bridge in Concord, Massachusetts
  • In her poem “In the Days of Prismatic Color,” Marianne Moore writes that “Truth is no Apollo/ Belvedere, no formal thing.”
This list is incomplete; you can help by expanding it.

References

Citations

  1. ^ Réveil, Etienne Achille and Jean Duchesne (1828), Museum of Painting and Sculpture, or Collection of the Principal Pictures, Statues and Bas-Reliefs, in the Public and Private Galleries of Europe, London: Bossanage, Bartes and Lowell, Vol 11, pg 126. (”The Pythian Apollo, called the Belvedere Apollo”)
  2. ^ R. Weiss, The Renaissance Discovery of Classical Antiquity (Oxford University Press) 1969:103 first noted the entries in 1489 and a repetition in 1493 in the somewhat chaotic Cesena chronicle of Giuliano Fantaguzzi.
  3. ^ H. H. Brummer, The Statue Court in the Vatican Belvedere (Stockholm) 1970:44-71, which gives the most concise review of the statue’s discovery and its history.
  4. ^ Deborah Brown, “The Apollo Belvedere and the Garden of Giuliano della Rovere at SS. Apostoli” Journal of the Warburg and Courtauld Institutes 49 (1986), pp. 235-238.
  5. ^ Gregory Curtis, Disarmed, (New York: Knopf, 2003) pp. 57-61.
  6. ^ Clark, Kenneth (1969), Civilisation: A Personal View, New York and Evanston: Harper & Row, Publishers, pg 2.
  7. ^ Roland Wells Robbins, The Story of the Minute Man, (Stoneham, MA: George R. Barnstead & Son, 1945) pp. 13-24.
  8. ^ Marianne Moore, “In the Days of Prismatic Color,” The Complete Poems of Marianne Moore (New York: Penguin, 1994): 42.

Other sources

  • Francis Haskell and Nicholas Penny, 1981. Taste and the Antique (Yale University Press) Cat. no. 8. Critical history of the Apollo Belvedere.

External links

  • Image of Apollo Belvedere with a fig leaf
  • The sculpture shown with and without a fig leaf
  • 16th century engraving by Marcantonio Raimondi

Retrieved from “http://en.wikipedia.org/wiki/Apollo_Belvedere”
Categories: Visitor attractions in Rome | Sculptures of the Vatican Museums | Antiquities acquired by Napoleon | Roman copies of 4th century BC Greek sculpturesHidden categories: Incomplete lists | Italy articles missing geocoordinate data | All articles needing coordinates

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Fairview Avenue Station

March 7th, 2010





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Fairview Avenue Station

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Mural featuring light rail and street cars on the intersection of

Fairview Avenue Station is a proposed station on the proposed light rail line along Minnesota’s Central Corridor. It would be located in Saint Paul along University Avenue near its intersection with Fairview Avenue. In May 2009 a preliminary design was revealed. The design feature Oak trees and was inspired by the neighborhood’s old Oak trees in its parks. The station would be located just west of Fairview Avenue in the center of University Avenue.

Notable places nearby

  • Dickerman Park
  • Griggs Midway Building

References

  1. ^ “Fairview Avenue Station”. Metropolitan Council. http://www.metrocouncil.org/transportation/ccorridor/StationArt/fairview.pdf. Retrieved August 19, 2009. 
  2. ^ http://www.metrocouncil.org/transportation/ccorridor/CCimages/UnivAv/Page9Uni_20090415.pdf

External links

Coordinates: 44°57?21?N 93°10?38?W? / ?aerial photos, and other data for this location”>44.95587°N 93.17712°W? / 44.95587; -93.17712

Preceding station   Metro Transit   Following station
    Proposed    
Raymond Avenue
toward Target Field
Central Corridor Snelling Avenue
toward Saint Paul Union Depot

Retrieved from “http://en.wikipedia.org/wiki/Fairview_Avenue_Station”
Categories: Central Corridor stations | Future railway stations in the United States | Railway station stubs | Minnesota stubs

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